SAB, organ.  Text from the Anglican Book of Common Prayer.

(2009) SATTBB a cappella. Commissioned by the Victoria Centre of the RCCO for Hexaphone, and first performed at the “Pipes Around the Pacific” Festival in July 2010.  ca. 7 mins.

(2021) SATB + piano. A Sea Shanty, words by Gordon Shrimpton, which tells the story of a Welsh sailor aboard the HMS Bellerophon during the Battle of Trafalgar. Commissioned by Via Choralis Chamber Choir, Victoria BC. Duration ca. 3’00”

(2019) 4-part, keyboard. An easy round based on a text by Albert Camus. Duration ca.3’00”

(2013) for women’s choir SA with divisi, without text.  Duration ca. 4’15”
This is the 5th movement of a larger work entitled Isbjørn!

(1996) 2-part, keyboard (piano or organ)

(2010) For mixed voices SAB with some divisi in lower voices. An intermediate level arrangement of the popular medieval English Christmas carol. Duration ca. 2’20”

(2017) for choir SATB a cappella.  Texts Virgil (70-19 B.C.E.), Horace (65-27 B.C.E.), Anon. (ca. 1287), King Henry VIII, Henry W. Longfellow. Duration ca. 4’00”

(2020) SATB and piano. Text from Matthew11:280-30. Commissioned by Christ Church Cathedral, Victoria BC. Duration ca. 3’00”

(2007) SATB and (2008) SATTBB a cappella.  Text by Hilaire Belloc.

(2006) SATTBB a cappella.  Written for Hexaphone, text anonymous ca. 1600.  Duration ca. 3 mins.

(2017) SATB with orchestra (2fl, ob, bsn, tpt, perc & strings).  A medley of four traditional French Christmas carols (Il est né, Quittez pasteurs, Noël nouvelet, Les anges dans nos campagnes).  Duration ca. 7’30”.  Difficulty level: moderate.

SATTBarB a cappella  and  SATB with piano.

(a) There Once Was a Man with a Beard, (b) There Once Was a Lady of Ealing, (c) There Once Was a Man of Antigua, (d) There Once Was a Lady of Ryde.

(2010) SATTBB a cappella.  Following on from the success of the first set of Limericks, here are four more, written for Hexaphone.

(2008) SATTBB a capella.  Text by John Dryden from “A Song for St. Cecilia’s Day.”  Ca. 3’45”

(1998) SAB, keyboard (Christmas)

(2015) SATB and strings (or piano).  Duration ca. 3’00”
Based on a 17th C. Quechua chant from Cusco, Peru.

(2015) SATB a cappella.  A setting of the poem by Gerard Manley Hopkins.  Duration ca. 2 mins.

(2016) SATB a cappella, text Nancy Wood.  Duration ca. 1’30”

(2009) SATTBB a capella.  An arrangement for Hexaphone of the original 1919 song by Young, Lewis & Donaldson. Ca. 4 mins.

(1998) Unison song, words by George Herbert from The Temple. Duration ca. 2’30”

(2005) SATTBB a capella.  An arrangement for Hexaphone of the traditional Newfoundland folksong. Duration ca. 2’15”

(2005) SATTBB.  Text by Stephen Scobie. Composed for Hexaphone. A cappella work for advanced vocal ensemble.

SATB, organ.  Text from John 4.15-18.

(2009) unison & (2010) 2-part with piano. Text by Wilfred Campbell. Ca. 1’30”

(2006) SATB, SSAA quartet & piano.  Text traditional, trans. Anna B. Jameson. Duration ca. 3’30”

(2013, rev. 2017). Choirs SATB, SSAA + vocal quartet, piano & perc.
Texts by Robert Service, Marcus Lund.  Duration ca. 20 mins.
1. Let Us Probe the Silent Places 2’30”
2. Let Us Embark 3’30”
3. Isbjørn 4’00”
4. Ice Colours 2’45”
5. Aurora 4’45”

(2015) SATB with piano (also available with string quartet).  This is the 3rd movement from a larger work Canción amazónica. Text in Spanish, translated from Shipibo. Duration 4’00”

(2011) SAB + piano.  Text: Jane Kenyon from Collected Poems © 2005.

(1996) SAB, keyboard (Advent)

SATB, keyboard

(1999) SATB with organ and brass quintet. A setting of the text from Ecclesiasticus, often read or sung on Remembrance Day.

(2013) SATB with divisi a cappella.  An alternative to Palestrina’s traditional setting often sung in Advent.

(2019) SATB choir and piano. An arrangement of this popular Welsh folksong. Duration ca. 3’00”

(2013) 2-part with piano.  Text: Henry van Dyke.

(2007) An intermediate level SAB setting of text from Psalm 81.  Duration ca. 2 mins.

(2017) for choir SATB + instrumental ensemble (fl, cl, hn, vn, va, vc, cb, pno).
Also available for chorus with piano only. Latin text by Frances Dearman. Seven movements, duration ca. 25 mins.
1. Phos hilaron
2. Preces pro vigilantibus
3. Ambulatio
4. Miserere
5. Magnificat
6. Nunc dimittis
7. Lullaby

(2015) SATB a cappella.  Text Rumi (1207-1273).  Duration ca. 2’00”

SAB, keyboard.  Text from the Anglican Book of Prayer.

(2009) SAB & piano.  This gospel style setting of the psalm is aimed at an intermediate level choir. Duration ca. 3’00”

(2009) SATB and organ.  This is an advanced level setting of the psalm, commissioned by the Victoria Centre of the RCCO for the 2009 centennial.

(2006) SATTBB + pre-recorded track.  Text by Hélène Cazes (2005).  Written for Hexaphone and first performed at Crystal Pool, Victoria BC. Ca. 4 mins.

(2012) SSAA with harmonium, viele or hurdy-gurdy (synfonie). Revised 2016 for choir SSAA a cappella. Text of Christine de Pisan from Le Livre de la Cité des Dames (1405).

SATB and piano. Text by Walter de la Mare. Published by Cypress Choral Music.

(2011) SATB with piano.  Text: William Shakespeare.  Duration ca. 3’45”

(2016) SAB + piano. Also (2009) SATTBB a capella. Text: Charles T. Seymour (1867). This comic west coast song describes an event in the history of Victoria’s harbour. Originally written for Hexaphone. Duration ca. 3 mins.

2-part, piano

(2009) SATTBB a cappella. An arrangement for Hexaphone of the traditional song.  Ca. 5 mins.

(2005) an SATTBB a cappella arrangement for Hexaphone of the original Newfoundland song by Arthur Scammell & Larry O’Gaff. Duration ca. 3 mins.

(2010) SATB + piano. An arrangement of the popular British folksong, suitable for beginner to intermediate level choirs. Duration ca. 3 minutes.

Unison, keyboard.  Text by Hilaire Belloc.

(2005) SATTBB a capella.  An arrangement for Hexaphone of the traditional song with text by Antoine Gérin-Lajoie. Ca. 5’30”

(2001) SATB a cappella, text: Rev 1:5-6